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London theaters had a record correspondence race for attendance last year, with early signs that a influx of tourists boycotting the United States will add to the crowd of West End for successful shows.
According to the Society of London Theater (Solt), nearly 5 million people attended a West End show than a Broadway production in 2024, which represents more than 200 theater, owners and managers.
THE gap was in accordance with the previous year, following a period of disruption of the theater during the pandemic coche when the locks prevented people from attending the programs.
Attendance London The theaters remained at post-paid-in-laws of 17.1 million in 2024, the same as 2023, and approximately 11% above pre-pale levels. Solt said that the figures showed that the West End remained the first theatrical destination in the world.
Claire Walker, Solt and Co-Chief of the British theater, said that there were anecdotal evidence of an increase in the interest of Canadian theater lovers who would generally have gone to Broadway for their shows.
US President Donald Trump threatened to annex Canada to force and hit the country with high commercial prices.
London theaters have shown no sign of losing their post-pandemic rebound, added Walker, with a number of shows of Oedipus And The importance of being serious has A tram named desire.
She highlighted shows such as Punch,, Avoid And Fiddler on the roof As off -competition productions in 2025.
Meanwhile, Broadway producers complain that the higher production cost and the slower return of visitors have hampered the recovery from the pandemic. The United Kingdom also benefits from a system of generous tax incentives that have encouraged more shows to open in London.
Solt said that theaters have exceeded other attractions by British visitors, increasing – and attracting 2.5 million more – than the Premier League.
For each £ 1 spent on a theater ticket, the group said that an additional £ 1.27 flows into local businesses, including hotels, restaurants and stores. At the national level, the theater generates 4.44 billion pounds sterling in turnover for the wider economy, he said, and more than 230,000 jobs.
However, Walker warned that the increase in production costs was likely to strike the magnitude of certain performance, with places faced with heavy salary bills due to the increase in employers' contributions to national insurance as well as high energy payments.
While the best seats arrive at hundreds of books for the successful London emissions, Solt said that the average price of tickets had remained 5% lower in real terms in 2019.
“With many West End productions operating at full capacity, financial sustainability becomes more precarious each year.”
Walker added that there was an urgent need for capital investment in the places of British aging, believing that around 500 million pounds sterling were necessary in the coming years just in maintenance.
“The figures speak for themselves – despite a decade of expanding entertainment options, the theater remains as popular and vital as ever,” said Walker.