Houston Ballet names Sonja Kostich as a new executive director

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Houston Ballet names Sonja Kostich as a new executive director

May should vibrate Houston's public, while some theater companies end their 2024-25 seasons with their biggest shows of the season. Look for new towers on the classics, as well as the first dramatic and sumptuous world. Dystopias danced in Jack the Ripper, the hottest romances at comedy, a cake and practical coffee with friends at Tiki Bar Mai Tais with friends, we have the most delicious shows to Savior this spring.

Panoptic Since Open dance project (May 2 to 10)
For their 10th anniversary season, Houston's source for a truly innovative immersive dance is to revisit some of their most provocative shows that invite the public to walk in the dance worlds. First of all, Panoptic Make the public in a futuristic dystopian society where everything is regimated and monitored, even joy and sexual attraction. The public assumes the role of visitors to external “wild” lands, a place that always offers moments of spontaneous human intimacy and emotions. During our visit to Panopticon, we walk in the midst of moderate and regulated citizens to see their daily life. Perhaps we will discover two lovers of future difficulties struggling with their desire for physical and emotional intimacy in a world where a deep and human connection is prohibited. Open Dance Project once again offers dance narration to the most intimate.

Denise Fennell's learned lessons has Steps (May 2-11)
In addition to their fun and eclectic mixture of comedy, theater and musicals, for their stages of the 2024-25 season brought the comedy Fav Denise Fennell for a complementary season of four Late Nite Catechism shows. Now that she has made fraternal schooling for the summer, Halloween, Christmas and the wedding season, this spectacle phenomenon of a woman takes off her habit to teach us lessons in real life that she learned as an artist, interpreter and writer. Based on personal experiences and observations, Fennell is held together with the hilarious stories of everyday life, presenting his talent to find humor in the ordinary.

Hamlet Since 4th wall theater (May 2-24)
You have never seen Shakespeare's masterpiece does this way before. Using a vision of director designed for the first time by the innovative New York Theater Company Bedlam, which is stripped and raw Hamlet requires a distribution of only four players. Wesley Whitson addresses the role of the prince in Hamlet conflict with Christy Watkins, Philip Hays and the co-founder of 4th wall Philip Lehl, jumping in and out of 30 roles between them, including furniture. The other co-founder of the 4th wall, Kim Tobin-Lehl, directs this greater tragedy.

Primary trust has Alley (May 2-25)
This recent winning show of the Pulitzer Prix by Eboni Booth is making its debut in Houston. The play explores the interior and exterior life of Kenneth, a 38 -year -old lonely man who works in a bookstore in a small town in New York. His only joy after work sips May you are on the local Tiki bar with his friend Bert. But after being dismissed from his longtime job, he is forced to make changes in his comfortable routine life. This tender comedy cherishes the intimate moments of all life when each choice counts and each connection has the power to create a change.

Coconut cake has Overall theater (May 9 to June 1)
Together associates with several prestigious theaters across the United States to produce this new play by the acclaimed playwright Melda Beaty as a “rolling” world premiere. The show has already won awards for giving an authentic voice to a group of retired black men who meet each week for a coffee in a local restaurant. The dramatic and comic piece gives the public a seat at the table to listen to these men to talk about their wives, their families and the last neighborhood gossip. But when a mystery woman moves into the abandoned house on the street, with her Creole tricks, her secrets of tempting coconut cake, and secrets of pharmacy wardrobe, men find their daily talks and perhaps retired lives could change forever.

Bug Since Earth dogs (May 16-31)
Having treated Houston a remarkable production of the contemporary classic tracy letts August: Osage County Two years ago, Dirt Dogs returns to letts for this devastating previous work that explores darkness in the human mind. Insects The exploration of conspiracy and paranoia theories might seem as appropriate today as in the end of the 1990s. A lonely waitress and a veteran Drifter find an unexpected love while they meet regularly in a Motel Oklahoma City Minou room. But as their business continues, mysterious insects are starting to take control of their space. Are they simple with pests or could they be the result of military experiences? The couple's fears soon take them and disrupt any attempt at normality.

Kim's convenience has Main street theater (May 17 to June 15)
The international struck Canadian television and Netflix The comedy began as an Ins Choi's play on The Kims, a Canadian Korean family who runs a neighborhood convenience store in Toronto. While being faced with new luxury buildings in the convenience store and a Walmart being preparing to move, the Kims must also manage their traditional expectations for their children. Their daughter and son are really a product of their modern and Canadian education.

Meanwhile, when Mr. Kim receives an unexpected offer for his property, he has a difficult decision to make. Should he take the money and give in to the developers or convince his daughter to follow her traces and manage the family business? This production on the main street is the first time that Houston will have the chance to see the original stage play that started the Kim's convenience The feeling of streaming and changed some of the comedies of situation rules.

In heights Since Theater under the stars (May 20 to June 1)
With music and words of Hamilton Author Lin-Manuel Miranda and book by Quiara Algeria Hudes, In height Takes up over three days in the Washington Heights district of New York. Reported by the owner of Bodega Usnavi, the program follows the daily difficulties and the celebrations of the inhabitants of the Usnavi district, because some of them wonder what the house means for them. During these few days, there are news of a winning lottery ticket, then an electrical breakdown ends up giving new light on family and romantic relationships. The program addresses questions of immigration, assimilation, gentrification and even the high price of college education, manufacturing Height Just as relevant as when he made his debut on Broadway in 2008. However, it is the rich and the songs of the characters who will bring the 2024-25 Tuts season to close such a joyful note.

Privacy has Alley (May 23 to June 15)
Although staged for the first time in 1930, the reason why this classic Christmas coward comedy resisted the test of time is that the central spiritual couple of the program has become a model for almost a century of sexy lovers and quarrel to appear on stage and on the screen thereafter. To keep it cool, the alley gives Privacy A Tango tour, moving the sophisticated comedy from Europe to South America. When the divorced couple Elyot and Amanda accidentally find themselves in a honeymoon with their new spouses in adjacent rooms, sparks fly and temperaments are glowing in a whirlwind of passion and humor. The alley brings back the acclaimed director KJ Sanchez to add this spicy touch to relations, transporting the public to Argentina in the 1930s and Uruguay.

Toros has Spare room (May 24 to June 14)
After giving the Houston public an original and invigorated version of the American classic Death of a seller Last month, Rec Room became contemporary with this play on a trio of twenty years aimed. Toro is back in Madrid who hangs out with his high school friends, Juan and Andrea (and the Dyan Golden Retriever of Juan, Tica). They spend their weekends exactly as they did: pititis-smokers in the juan garage, listening to the last mix of Juan DJ and coming out in the clubs of Madrid. As sexual tensions emerge and the dynamics of ancient power be questioned, these third culture kides have trouble growing up, assuming responsibility and finding a version of reality to believe. This is a REC production, so look for a surreal touch to all this Gen Z anxiety, perhaps in the role that the veteran actor of Houston Greg Dean plays.

Raymonda Since Houston ballet (May 29 to June 8)
Dance enthusiasts certainly provide this show since HB announced that the artistic director Stanton Welch would create a new world vision for this most traditional classic ballet. The ballet of the original tales book from the end of the 19th century, choreographed by Marius Petipa to the music of Russian composer Alexander Glazunov, is rarely staged in his entirely, devoid of some of the dramas that the modern public wants. Although inspired by Petipa, Welch has moved the original story of the Middle Ages in a field of more fairies.

In the version of Welch, the charming young Raymonda and her sisters are intended to be engaged to the dukes of various countries. But Raymonda's heart already belongs to another. A diabolical plot by the queen's trust advisor can change the fate of Raymonda and her only true love. With the world's world class dancers, search for sumptuous sets and costumes of the famous Italian designer Roberta Guidi Di Bagno. Raymonda is sure to become a precious classic among the illustrious repertoire of Houston Ballet.

To leave. Her. Rip. has Steps (May 30, June 22)
When the scenes announced their 2024-25 season, they left the last choice for the incoming artist director, Derek Charles Livingston, who chose this world play of Maggie Lou Rader. It was a work that he helped to develop in his previous position as director of new pieces at Utah Shakespeare Festival.

Houston will be the very first to see the first complete production of this intriguing story of camaraderie, activism and ferocity which is in the crosshairs of match Women of the match Labor Movement and the Jack The Ripper Murders of 1888. The manpower, Liza, and Nana, endeavor to do the East End for women and all employees Revive their fight against fatal misogyny, police brutality and their own personal demons. But as tensions come to the head, which will make the final tear?

Photo by Lynn Lane

Open Dance Project presents Panopticon

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