Ato ': a journey through matter and emotion
Anna TouziKnown in the world of art as ato, forged a distinctive artistic path which intertwines material exploration with a deep emotional expression. Her trip began in the field of graphic design and advertising, where she perfected her technical skills in various studios. However, she quickly realized that her true vocation resided in the non -filtered language of pictorial art – an avenue through which she could explore her identity and transmit her inner world. This relentless pursuit of self -discovery has shaped its creative evolution, leads it to develop a very tactile and unconventional painting technique.
At the heart of his artistic practice is an experimental approach to materials. For years, she has explored the expressive potential of acrylic and PVA glue, applying them to the canvas in a process as unpredictable as intentional. Using brushes and spatulas, it guides the flow of color and texture, allowing painting to take shape in an organic way because it dries. The final composition is never predetermined; Instead, he emerges from the interaction of matter and time, with cracks and cracks revealing an imprint of his emotional state. This constantly evolving process reflects the artistic spirit of Tozzi – fluid, evolutionary and deeply introspective.
His first works were concentrated on the textured surfaces which hid underlying layers, evoking the passage of time and the depths hidden under apparently impenetrable external. Over time, its objective has moved to the painting of fractured walls and the worn streets – scenes marked by age and decomposition but illuminated by the light presence of gold. “I managed to bring light where there is none,” she says, encapsulating the essence of her artistic philosophy. This exploration of deterioration and renewal continues to define its practice, leading it to incorporate new materials such as cement, clay, ceramics and sand in its in progress in progress in form and substance.
Anna Tozzi: Transforming ruins into gold
Tozzi's fascination for imperfection and catering prompted her to experiment with unconventional materials, pushing the limits of traditional painting. His most recent work, a laziness tooth, illustrates this evolution, incorporating a complex mixture of cement, Marmorino and other raw elements. This merger of materials gives its paintings a sculptural quality, blurring the line between the two -dimensional composition and the high texture. The physicity of his work invites viewers to engage not only visually but also at a tactile level, as if each piece was an artifact discovered with a forgotten past.
One of its most striking techniques is to break and reassemble mirrors, to link fractured fragments with glue and gold dust. This act of destruction and reconstruction serves as a metaphor for resilience and transformation, echoing the Japanese art of Kintsugi, where broken pottery is repaired with gold to highlight its history rather than hiding its faults. In the same vein, its series of islands recovers the asphalt fragments thrown into the streets, reconstituting them with gold to create compositions which reflect both urban decomposition and lasting beauty found in destruction.
His work is deeply influenced by artists who embrace the power of a gesture or a single brand – the burned surfaces of Burri, fontana cut canvases, the meditative colored fields of Rothko. Like these visionaries, Tozzi aspires to distill the raw emotion in a single expressive act, using its materials chosen to evoke themes of time, memory and transformation. Whether through a crack, a cut or delicate placement of gold in fractured forms, his art seeks to capture the ephemeral but deep essence of human experience.
The language of texture and time
Tozzi's paintings transcend conventional abstraction by integrating materials that evoke a sense of history, erosion and renewal. Its surfaces, often cracked, fragmented and superimposed with traces of past interventions, resemble relics of an ancient civilization. This synthesis of contemporary abstraction with archaic symbolism creates a convincing tension – that which speaks both of the transient nature of the existence and the lasting power of creation.
Gold plays a central role in its work, not only as an aesthetic choice but as a conceptual device. Applied to breaking and disintegration areas, it transforms what could otherwise be considered damage in something sacred. This interaction of raws and refined, worn and luminous, establishes a visual dialogue between destruction and beauty. The striking contrast between its use of dark and earth tones and the brilliance of gold reinforces the meaning of duality – entropy against renewal, fragility against permanence.
Some of its compositions have abstract and petroglyphic brands, suggesting links with ancient narration and primordial symbols. Others adopt geometric divisions and fractured structures which seem to document the passage of time. Thanks to its use of broken glass, rough stone textures and metallic elements, its paintings reach a sculptural presence, inviting the spectator to perceive them as more than images, but as objects impregnated with history and transformation.
Anna Tozzi: Art as an act of reconstruction
Tozzi's artistic vision is rooted in an almost meditative reverence for imperfection. Its process embraces the beauty of the rupture, strengthening the idea that destruction is not an end but a beginning. By physically deconstructing and going up the materials, it creates works that are not only visually striking but also deeply symbolic of renewal and resilience. His ability to transform banal materials or thrown into something poetic raises his practice beyond simple aesthetic exploration – he becomes an act of restoration and transcendence.
His commitment with informal art and abstract expressionism is obvious, but his work involves a distinctive sensitivity which feels both deeply personal and universally resonant. The unpredictability of its materials, the slow revelation of textures and the interaction between deliberate action and spontaneous training make its art a convincing exploration of the process and meaning. In each crack, each fragment and each golden repair, it captures the essence of imperfection not as a defect, but as a testimony of endurance and transformation.
Thanks to his work, Tozzi invites the spectator to reconsider the concepts of damage and restoration, urging them to find beauty in the unexpected. His paintings are not only compositions but living entities, evolving over time, material and intention. Just as the cracks in his work reveal glimpses of gold, his art offers a deep reminder: with each break, there is the potential of something bright to emerge.
