Lake Worth Beach, Florida: Launched in 2014, the New Play Exchange was designed as a means of Increase transparency and efficiency the game submission process. In the years that followed, the National new game network (NNPN) The effort attracted 32,000 subscribers and included profiles of more than 61,000 theatrical works of 13,000 living writers in 67 countries, and is available for more than two million university and university students.
Today, NNPN is launching a new way of unlocking NPX resources: two new Actor Pro subscriptions, at $ 10 per month and $ 15 per year, which will allow actors to search for a growing library of more than 3,500 monologues, all brought by NPX Playworks. They will give actors access to monologues, to the pieces from which they are extracted, information on the history of playing the play and playwright profiles, including organic, artistic declarations and other works of the same writer. The service allows actors to filter the results of research by duration, gender, type of hearing and the relevance of the public, as well as the pieces that best suit their own self-dedicated demographic markers, including age, sex and race or ethnicity.
It will also allow actors to save their favorite monologue research, with new results delivered each week to their reception boxes, and the possibility of writing scripts recommendations that they discover on the platform. These characteristics “cannot be found in a traditional compilation of monologues, often generalized for gender -specific talent basins,” said executive director Nan Barnett.
According to Barnett, NNPN began to receive requests from actors on New Play Exchange “almost as soon as we have launched,” said Barnett. “They use a new exchange of games as a resource for games, of course, but the idea of being able to find hearing documents that suit them and the work that auditions was felt like a loved one but not quite there.”
Over the years, NNPN has come to recognize how often the actors are a conduit between the new parts and the producers, because they noticed it through anecdotal conversations that the actors brought in pieces of less known or unpublished pieces to avoid the “We have seen the same monologue on four times”, said Barnett, said, “and creating conversations on the game and that which benefited from everyone.”
“While we have worked to bring more diversified stories and artists in the seasons of theaters around the world, we found that support for artists at all levels of their careers, especially in their ability to share the most authentic reflection of themselves, is a winner / winner for cinemas and for the public,” said Barnett.
The other NPX subscriptions include the professional, professional, organizational and higher education writer.
