(Illustration of Melanie C. O'Neill)
During pandemic locking, The playwright Noga Flaishon has spent a lot of time thinking a lot about the intersection of technology and memory. A room on which she worked then was LipA Cyberpunk story on a woman who gets a fried implanted in her brain which suppresses all the memory of a trauma that she has experienced. The other, Memorynow planned for his world premiere at Houston's Main Street Theater (March 29-April 19), explores the marketing of memories and what we owe to future generations.
“If you were looking at my online imprint from that moment, you would think that I lived in a state of constant creative happiness,” said Flaishon about this first pandemic period. “In reality, it was a struggle every day to find a reason to get out of bed.”
Located in the near future, Memory Considering a world in which people can praise memories and fully feel the sensations felt by the original memory holder, like watching a film, but more intimate. A buyer, Rachel, is there to acquire the memories of his grandmother, the last survivor of the holocaust. Flaishon submitted the play to the Jewish documents project Thanks to the Jewish competition for dramatic writing, where he collected the support he needed for full production.
If the concept feels a little Twilight Or Black mirrorYou would not be the first to notice the parallels. Flaishon, whose curriculum vitae includes the writing and production of audio productions in the world of the long television series Doctor Who For Big Finish Productionshas been a science fiction fan since she was a teenager. She also quotes magic realism as a gender inspiration, because she works to write “reality that is like ours, but has biased a little on the side”.
MemoryShe said, is inspired by the fact that “of our life, the Holocaust will become a story. It will stop being a lived memory and will transform into something that we tell or look in the movies or will read in books. This is now the moment when we want to pose. “
Jerald Raymond Pierce is the editor -in -chief of American theater.
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