China Power: The fever of the drama is sweeping Southeast Asia, with dominant shows of screens and hearts

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China Power: The fever of the drama is sweeping Southeast Asia, with dominant shows of screens and hearts

From all the countries of Southeast Asia, Thailand is distinguished as a reference destination for Chinese production companies.

Jeff heTencent Chinese giant spokesperson, told RNA that Thailand was a natural hub for the production of talents and entertainment.

In 2024, Tencent filmed its popular series of Idol Chuang Asia reality competitions in Thailand.

Shot in Bangkok, the series of 10 episodes saw 70 trainees from the region of the region such as Malaysia, Thailand and Vietnam, in the running for spots in a new group of multinational girls.

Dr. Kornphanat Tungkeunkunt from ThammaSat University called it as a “strategic movement” which not only allowed Tencent to bypass strict interior regulations in China, but also “also opened up new opportunities” in international markets.

Season 2 was also filmed in Bangkok, from last December, and presented appearances of several mentors of Thai celebrities, including singer Jeff Satur, the rapper Bambam – more famous as a member of the group of boys K -Pop Got7 – and Lisa de Blackpink.

The show, broadcast from February 2 to April 6, saw 60 aspirant trainees from nine countries and regions in competition to form the new boyband of seven NEXT1DE members.

The “dynamic entertainment industry” of Thailand, “a well -established idol culture” and the world attraction made ideal to welcome and film the reality show, said Han.

“With many successful Thai stars that gain international renown, the country offers an ideal environment to discover and feed new talents.”

But even if the Chinese offers of pop culture win in the region, Chinese entertainment companies are still faced with large obstacles to sail in the uneven diversified and technological land of Southeast Asia to respond to shows and other offers for the local public, said Yap.

“The products should be accessible to all audiences.”

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